sábado, setiembre 30, 2006

disgrace

Zidane prowls the grass. The filmaker consciously captures him as a creature of the veldt, feet picking at the turf like an antelope. At the conclusion, the player hurls himself into the fray, for no apparent reason. He is sent off. The Bernabeu applauds him down the tunnel.

This is a presage of what is to come. He will carry the image of his disgrace for the rest of his days. The bullet head executing its purpose on a seeming whim, which they will call a moment of madness.

This image will live more vividly that his glory, his greatest goals, his achievements. Yet, as he walks off the pitch, he seems indifferent to his disgrace. As though knowing that disgrace is commensurate to reputation. And it is the bearer who owns the reputation, no one else. It is his to use as he sees fit.

london flip sides

In the British library, I fail to locate the Freeze catalogue, 1988, on their system. Stymied, I approach the bookish man on the desk and shamefacedly admit my incompetence. He asks for the publisher or the gallery and I cannot help him. A quick recce informs that it's not held by the library. I feel like I'm wasting his time. He gets to work on twin computers. In no time at all he's hacked into three dozen libraries, sourced five locations where the catalogue is housed, three places I can catch the Omnibus video and printed all the information out. When I thank him he looks at me as though to say that he would have been disappointed in himself if he hadn't come up with the goods.

Ten minutes walk away I go to the Brunswick centre. The Bruswick centre has always been a sanctuary of scruffy seventies utopianism. Plastic bags foundered in puddles as the wind howled through a concrete landscape. Defiant in the face of revival, an oddity, adorned with the Renoir, the second hand bookshop, a greasy cafe and not much else. A forgotten pearl in the heart of capital. Not any more. The developers have arrived. Every shop is a brand. The spaghetti western wasteland has been sliced in half, the market taking over. Bright, shiny, aspiring to sleek. Maybe in another 30 years the Brunswick centre will have rediscovered the desolation it is heir to.

viernes, setiembre 29, 2006

the poor soul of st cross

the crown jewels of st cross

jueves, setiembre 28, 2006

snippets

Someone who is perenially surprised that depravity exists, who continues to feel disillusioned (even incredulous) when confronted with what humans are capable of inflicting in the way of gruesome, hands-on cruelty upon other humans, has not reached moral or psychological adulthood.

No one after a certain age has a right to this kind of innocence, superficiality, to this degree of ignorance, or amnesia.

+++

Remembering is an ethical act, has ethical value in and of itself. Memory is achingly, the only relation we can have with the dead. So the belief that remembering is an ethical act is deep in our natures as humans who know we are going to die, and who mourn those who in the normal course of events die before us - grandparents, parents, teachers and older friends. Heartlessness and amnesia seem to go together.


Susan Sontag - Regarding the Pain of Others

late summer in yorkshire

Another thing I remember is standing in the old red phone box at the bottom of the road in Dunnington. It was surrounded by fields on three sides with an industrial estate where I later worked for two months. N must have been in Welwyn for some reason. I think it was the beginning of the second year – I moved into the little house with the blue door before her. She was angry with me. I had the big heavy black phone receiver to my ear. I didn’t know what to say. There’s such a feeling of impotence when someone is angry with you on the phone, there’s no way of dealing with it. You just stare at the receiver and wait for the world to give you some space to breathe. Look out through the red cross hatch of the phone box at the fields and endure the words and the silence that follows. At the end she said to me, I remember it distinctly, no one else does this to me. You’re the only one who brings this out in me. I knew that in some way this meant I was special, I had a kind of cursed special status, which I knew anyway. But it didn’t help. I was torn apart, staring at the fields, just fighting to stay in the game. I thought to myself, great. Why do I have to be so special?

the year i ran away for xmas

It was 1987. I was due to spend christmas up north, for the first time. I don't know why this was the plan. Things were so difficult that festive would not have been the right word to use. And then one afternoon, maybe three days before Christmas day, something inside me snapped. Some kind of fear. I walked out to the car, the Red Renault, got in, and drove down the A1 to London, parked at Rayners Lane. George and Dorothy weren't expecting me but didn't act as though they were surprised. They booked me a plane ticket and I went to Germany. I felt so guilty. What I had done seemed evil and cowardly. It's only later that I realised it was kind of sensible. When you're at the end of your tether, it's a good idea to absent yourself from your tether, go awol, look for a safe port of call.

domingo, setiembre 24, 2006

two by two

It had been forty days and forty nights. They had grown sick to the back teeth of water. The animals were playing up, especially the orang utangs. The orang utangs were taking the radical evolutionary persepective, agitating amongst the rest of the crew, working on the line that if god had been truly smart he’d have favoured them. They’d have taken a more simian, ecologically responsible attitude. The crew would never have ended up in the soup if the orang utangs had been running the show. Wouldn’t even have had to even get to grips with this stinking 'boat' concept.

Noah was getting worried. The food was running out. The masses were on the point of revolting. He’d forgotten what his home looked like and if something didn’t happen soon the world cup wasn’t going to take place, let alone his team standing a chance of winning it. (During on-board kick arounds the wasps had proved unexpectedly effective, using a sting and pass tactic that bemused the opposition.)

Then the dove turned up with an olive branch between its teeth. Phew, thought Noah, thank heavens for that. There is a god after all.

The dove kind of preened around on deck, acting like a superstar. The other animals stared at it. You can imagine how they were feeling. Not exactly impressed. Where had the bloody dove been the whole time? Now they knew. Swanning around on mountain tops. Whilst they’d been slumming it on a boat.

The chaffinch was the first to perk up. With a sly whisper, the chaffinch said to the blackbird, ‘Looks more like a pigeon to me.’ Noah overheard. He said ‘What?’. A general debate broke out. Most decided the dove was nothing special. Especially the pigeons. Despite the bird’s protestations, the committee came to the conclusion that it was not a dove, as recognised by pre-flood dove directives. They decided doves were probably extinct. This was some kind of albino pigeon. The pigeons treated it like a black sheep. The dove got bored and went and sat on the mainmast.

Attention turned to the olive branch. Noah could see from the tutting and the general head shaking that the creatures weren’t impressed. Even Ham and Seth joined in. The branch was passed around. In truth, it wasn’t much of a branch. More of a twig. This point was forcefully made, in particular by the giraffes and ostriches, who both claimed to have been key workers in the Eden olive branch analysis labs, which neither Noah nor his wife had ever heard of.

Disdain for the twig increased. The jackal pushed it across deck with its paw. ‘We’ve been here forty days and forty nights, and this is what they send us?’ It asked. ‘I was expecting something a bit more impressive.’ The swallows and the newts agreed. They’d been anticipating a mobile hot dog stand. The lion laughed. He’d been expecting an en-suite, all-inclusive flock of sheep. Which didn’t impress the sheep, who just baa-ed.

Overall, the consensus was they were anticipating something…better. They sent the reclassified albino pigeon packing. Told it to come back when it had something to show for itself.

Noah sighed. He went below deck and filled in his redundant pools coupon, for old time’s sake. One thing was for sure. It wouldn’t be long before they were going to need a bigger boat. He got out his tools and thought about how to build that extension.

The fact is that they never got off that boat. Every living creature, no matter what Darwin contended, is descended from that grumpy group. All of us still floating. After centuries of skilled carpentry, the boat has come to seem like something completely stable, incorporating dry land, mountains of its own, and even oceans. Noah’s ark has been extended almost as far as it can go, but it still floats on the waters of the great flood.

The early descendants of the creatures on the boat devised an alternative version of the story of the olive branch. In the bright shiny world of the new Ark, a positivistic take on the deity seemed more appropriate. They made a movie about it with all the animals gazing in mute awe at the arriving dove, saying things like, ‘My dear, I do believe it’s an olive branch’, before their sang froid went and they began to blub. Some still chuckled at what was essentially satire, but as the centuries rolled on, people began to take it literally and in the end the true story was eclipsed. Such is the power of myth.

Doves were the only species made extinct in the great flood. Sometimes scholars get together and wonder what a dove might have looked like. Most agree that they probably resembled some kind of albino pigeon.


april 2006

snippet

On a day he had wept, the master did not sing.

Confucius

sábado, setiembre 23, 2006

ciphers

A friend of mine tells me about a play he acted in a few years ago. He says he didn’t enjoy it. He didn’t have much of a part in it, and, more to the point, it felt as though he didn’t have much of a part. He says that of course, he knows, just like I know, that actors are only ciphers, there to serve the play, bring the flame of life to the thing. But it’s no good, as an actor, if you feel like that’s all you’re there for. You need to feel like you’ve got something to offer. No matter how marginal. If you feel like a cipher you’re going to lose heart. You’re not going to enjoy it.

viernes, setiembre 22, 2006

the world hanging by a thread

jueves, setiembre 21, 2006

another hallmark moment

The moment I realised was at London Bridge Station. I’d been rushing to get my act together, get to Shoreditch, deal with life. Then I realised and everything stopped mattering. I felt the weight of the trivial slip away. The things that run deeper run deeper.

viernes, setiembre 15, 2006

sometimes people do things and you've just got to take your hat off to them

You'll find this man's work sprinkled around Hoxton.
You'll find it on a wall in Gower Street.
It might still exist in Palestine.
Now it's reached the USA.
And it seems too well executed to be true.
Enlarge the image to catch the train.
Take your hat off.

jueves, setiembre 14, 2006

8 questions

Q: What makes bacon and eggs taste even better?
A: Cooking them in the open air.

Q: If there was a international boules championship of Peckham, who would win?
A: Not me. Probably my brother.

Q: From which vantage point does Southampton look beautiful?
A: From a boat departing it. Or approaching it.

Q: How long do you have to be in the same room as a spot painting to start to get it?
A: About five minutes.

Q: Does the world belong to the meek or the mighty?
A: But what about the kingdom of heaven?

Q: You're sitting in a room having a conversation about tents. Is this an emotive topic?
A: Not on the surface if you've got a decent flysheet.

Q: If someone upsets you or pisses you off should you tell them?
A: Does the world belong to the meek or the mighty?

Q: What was the original Isle of Wight festival like?
A: Ask Devendra, he'll know.

lunes, setiembre 11, 2006

isle of wight





jueves, setiembre 07, 2006

back lot

Through the lens of a camera's painted toe
You discover the colour your garden grows.
Green as a river, blue as a peg, dull white
As a ghost. The grain of stone refracts right
Past you; a web page ululates. Shut it.
Or be trapped in an endless gaze of salt.



0506

miércoles, setiembre 06, 2006

out of date listing

Slightly self indulgent but I figured that there may be amongst my billions of readers one or two who would find the following authentic listings from a recent Yorkshire Post of interest:

===

The Prodigal Son: Play set in California in 1982. A young man sends for the cable guy so he can watch MTV. Stephen Joseph Theatre, Jul 28 & 31, 1.10pm. 01723 370541.
Home From the Jungle: Starring Cannon & Ball alongside guest stars The Grumbleweeds, Futurist Theatre, Mondays Jul 24-Aug 28, 8pm. 01723 365789.
Thank You For the Music: The music of the Bee Gees & ABBA, Futurist Theatre, Wednesdays Jul 26-Aug 30, 8pm. 01723 365789.
Basil Brush – The Fox Factor: A show for all the family, Futurist Theatre, Thursdays Jul 27-Aug 31, 7pm. 01723 365789.

===

martes, setiembre 05, 2006

storage

[verbatim in a King's Cross cafe-restaurant]

I’ve got a friend who used to be an artist until he had some kind of breakdown about ten years ago he’s American and he lives in Shoreditch just down the road from the pubs and I go and see him every now and again and he says [putting on American accent] ‘I like so and so, they’ve got storage’ and I love that expression and that’s why it’s good to talk to you I can see it in your eyes both of you the way you let things register the way you note things that you’ve got it you’ve got plenty of it you’ve got storage.